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The third edition of the Rough Guide to Jazz has over 2,100 critical biographies, ranging from greats like Louis Armstrong and Miles Davis to rising stars like Stacey Kent and Jamie Cullum. As well as outlining every artist''s career, each entry concludes with recommendations of the best of their recordings on CD. The guide includes many illustrations by top jazz photographers.
- Sales Rank: #1913928 in Books
- Brand: Brand: Rough Guides
- Published on: 2004-07-19
- Released on: 2004-05-03
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.28" w x 6.75" l,
- Binding: Paperback
- 944 pages
- Used Book in Good Condition
Review
"The book most of us will turn to first. . . the long-established market - leading single volume."
Most helpful customer reviews
1 of 1 people found the following review helpful.
A great guide to the major jazz artists - I only ...
By Patrick
A great guide to the major jazz artists - I only wish that there was one that was more up to date
2 of 4 people found the following review helpful.
the bible of jazz
By Darryl K. Clark
i bought rough guide to soul for myself last year and couldn't put it down. so i am going out on a limb by glorifying rough guide to jazz so readily. but i feel safe in this.
and i hope my dad really likes it--it was his birthday gift this year!
guess what? he liked it!!!
1 of 1 people found the following review helpful.
A fine guide
By Nikica Gilic
This is a fine guide indeed - it covers more non-US artists than some other notable editions (European, Azian, African artists...) and it really tries to keep up with recent developments in jazz.
Naturally, all that means that traditionalists might desire larger articles on (mostly American) true jazz giants of the classical era, but that's just a matter of personal taste.
Some of the articles are impressionistic, unneceserily pointing out that an artist didn't play so well when he wisited Europe few years before he died, but failing to say why precisly was he so great, but most of the articles are (in the worst cases) fine, written with real passion for the music, and often relying on serious research.
As a fan (primarily but not exclusively) of older jazz I'd like to point to the articles on Buddy Bolden and ODJB, where the influence of this all-white group's influence on British society is comparable to the influence of later punk musicians (!?).
So, this book is not only interesting and useful, it is also thought-provoking.
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